Referenser kapitel 1-2

Andersson Schwarz, J. och Larsson, S. (red). (2019). Plattformssamhället: den digitala utvecklingens politik, innovation och reglering. Fores.

Bastiansen, H. G. (2023). Når fortiden blir digital : medier, kilder og historie i digitaliseringens tid. Universitetsforlaget.

Burkart, P., & Leijonhufvud, S. (2019). The Spotification of public service media. The Information society, 35(4), 173-183. https://doi.org/10.1080/01972243.2019.1613706

Carpentier, N. (2015). Differentiating between access, interaction and participation. Conjunctions, 2(2), 7-28. https://doi.org/10.7146/tjcp.v2i2.23117

Castells, M. (2023). The Network Society Revisited. The American behavioral scientist (Beverly Hills), 67(7), 940-946. https://doi.org/10.1177/00027642221092803

Colbjørnsen, T., Tallerås, K., & Øfsti, M. (2021). Contingent availability: a case-based approach to understanding availability in streaming services and cultural policy implications. International Journal of Cultural Policy, 27(7), 936-951. https://doi.org/10.1080/10286632.2020.1860030

Crary, J. (2023). Scorched Earth. Verso Books.

Dijck, J. v., Poell, T., & Waal, M. d. (2018). The platform society : public values in a connective world. Oxford University Press.

Dijk, J. v. (2012). The network society. Sage Publications.

Duelund, P. (red.) (2003). The Nordic Cultural Model. Copenhagen: Nordic Cultural Institute.

Eriksen, A. (2009). Kulturarv og kulturarvinger. Nytt norsk tidsskrift, 26(3-4), 474-480. https://doi.org/10.18261/ISSN1504-3053-2009-03-04-22

Vinge, S., Fjæstad, M. (2004). AI & makten över besluten : vad alla borde veta om algoritmer i offentlig sektor. Stockholm: Volante.

Fleischer, R. (2014). Från lagringskultur till streamingkultur: Om att skriva samtidens näthistoria. In Ingår i: Återkopplingar / [ed] Marie Cronqvist, Patrik Lundell, Pelle Snickars, Lund: Mediehistoria, Lunds Universitet , 2014, s. 219-234 (pp. 219).

Fleischer, R. (2017). Nätutopier och nätdystopier [Elektronisk resurs] Om 2000-talets sökande efter internets väsen. In (Vol. 261-303). Samtider. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-148676

Flintberg, B., & Nylander, J. (2023). Kraftsamling Dataspelsbranschen : En rapport om svensk spelindustri (978-91-89757-54-7 (ISBN)). (RISE Rapport, Issue. http://urn.kb.se/resolve?urn=urn:nbn:se:ri:diva-63138

Gidlund, K. L., & Nyhlén, S. (2024). Digital cultural policy in Sweden: Cultural imaginations of the digital era, or digitized cultural marketization? In (1 ed., pp. 86-102). Routledge. https://doi.org/10.4324/9781003334576-6

Gillespie, T. (2010). The politics of ‘platforms’. New Media & Society, 12(3), 347-364. https://doi.org/10.1177/1461444809342738

Gran, A-B. og Røssaak, E. (2021) Hvordan forske på mangfold etter digitaliseringen? En innledning. I. Gran, A-B. og Røssaak, E. (red.) Mangfold i spill. Oslo: Universitetsforlaget.

Gran, A.-B. og Olsen, B. E. (2021) Kreativ næring. Lokale, digitale og økonomiske perspektiver. Oslo: Universitetsforlaget.

Grøn, R., & Balling, G. (2016). Kampen om eReolen: Biblioteker, bogmarked og framing af det litterære kredsløb. Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling, 5(3), 53-68. https://doi.org/10.7146/ntik.v5i3.25789

Grøn, R., & Kloster Gram, L. (2019). Deltagelsens paradoks: Samlingens rolle i den brugerinddragende formidling. Nordisk kulturpolitisk tidskrift, 22(2), 312-331. https://doi.org/10.18261/issn.2000-8325/-2019-02-07

Hay, J., & Couldry, N. (2011). Rethinking Convergence/Culture. Cultural studies (London, England), 25(4-5), 473-486. https://doi.org/10.1080/09502386.2011.600527

Henningsen, E., Andresen, H., Audunson, R. A., Fagerlid, C., Henningsen, E., Hobohm, H.-C., Jochumsen, H., Larsen, H., & Vold, T. (2020). Libraries, Archives and Museums as Democratic Spaces in a Digital Age. De Gruyter. https://doi.org/10.1515/9783110636628

Henningsen, E., & Larsen, H. (2020). The Mystification of Digital Technology in Norwegian Policies on Archives, Libraries and Museums: Digitalization as Policy Imperative. Culture unbound, 12(2), 1-19. https://doi.org/10.3384/cu.2000.1525.20200504b

Hesmondhalgh, D. (2013). The cultural industries. SAGE.

Hunt, R., & McKelvey, F. (2019). Algorithmic Regulation in Media and Cultural Policy: A Framework to Evaluate Barriers to Accountability. Journal of information policy (University Park, Pa.), 9, 307-335. https://doi.org/10.5325/jinfopoli.9.2019.0307

Hylland, O. M. (2014). #Mangletre - Om makt og ideologi i den digitale kulturarvens politikk. Nordisk kulturpolitisk tidsskrift, 17(2), 253-274. https://doi.org/10.18261/ISSN2000-8325-2014-02-06

Hylland, O. M. (2020). Digital kulturpolitikk. Nordisk kulturpolitisk tidsskrift, 23(1), 29-47. https://doi.org/10.18261/issn.2000-8325/-2020-01-03

Hylland, O. M. (2022). Tales of temporary disruption: Digital adaptations in the first 100 days of the cultural Covid lockdown. Poetics, 90, 101602.https://doi.org/https://doi.org/10.1016/j.poetic.2021.101602

Hylland, O. M., Heian, M. T., Kleppe, B., & Stavrum, H. (2024). Digital cultural policy in Norway: Old tools and new tasks. In (1 ed., pp. 141-160). Routledge. https://doi.org/10.4324/9781003334576-9

Hylland, O. M., & Primorac, J. (2024a). Digital cultural policies: Challenges and contexts. In (1 ed., pp. 8-22). Routledge. https://doi.org/10.4324/9781003334576-2

Hylland, O. M., & Primorac, J. (2024b). Introduction: The digitalization of cultural policy. In (1 ed., pp. 1-7). Routledge. https://doi.org/10.4324/9781003334576-1

Hylland, O. M., & Primorac, J. (2024c). Rapids and backwaters: Comparing digital cultural policies. In (1 ed., pp. 181-208). Routledge. https://doi.org/10.4324/9781003334576-11

Jancovich, L., & Bianchini, F. (2013). Problematising participation. Cultural Trends, 22(2), 63-66. https://doi.org/10.1080/09548963.2013.783158

Jenkins, H. (2006). Convergence culture : where old and new media collide. New York University Press.

Jenkins, H. (2014). Rethinking 'Rethinking Convergence/Culture'. Cultural studies (London, England), 28(2), 267-297. https://doi.org/10.1080/09502386.2013.801579 

Jochumsen, H., Skot-Hansen, D., & Hvenegaard Rasmussen, C. (2017). Towards Culture 3.0 - performative space in the public library. International Journal of Cultural Policy, 23(4), 512-524. https://doi.org/10.1080/10286632.2015.1043291

Kjus, Y. (2016). Musical exploration via streaming services: The Norwegian experience. Popular communication, 14(3), 127-136. https://doi.org/10.1080/15405702.2016.1193183 

Kulturanalys Norden. (2022a). Cultural policy in the Nordic welfare states. Aims and functions of public funding for culture. Nordisk kulturfakta 2022:01. Nordic Council of Ministers.

Kulturanalys Norden. (2022b). Konstens och kulturens frihet i Norden. En kunskapsöversikt med utgångspunkt i forskningen om kulturpolitik. Nordisk kulturfakta 2022:03.

Kulturdepartementet. (2019). Spillerom – Dataspillstrategi 2020–2022.

Kulturministeriet. (2009). Kultur for alle. Kultur i hele landet.

Kulturministeriet. (2000). Danmarks kreativa potentiale. Kultur- og erhvervspolitisk redegørelse 2000.

Kulturministeriet. (2008). Et kulturpolitiskt arbejdsprogram.

Kulturministeriet. (2023). Kulturpolitisk redegørelse.

Kulturrådet (2022) Sterkere tilbake. Pandemiens konsekvenser for kultursektorn og mulige virkemidler for gjenoppbyggning.

Lindström Sol, S. (2023). “Participation is important, but—” Professional rationalities of balancing acts in publicly funded cultural institutions. Nordisk kulturpolitisk tidskrift, 26(1), 42-56. https://doi.org/10.18261/nkt.26.1.4

Lutz, C., & Hoffmann, C. P. (2017). The dark side of online participation: exploring non-, passive and negative participation [; Proceedings Paper]. Information Communication & Society, 20(6), 876-897. https://doi.org/10.1080/1369118x.2017.1293129

Mangset, P., A. Kangas, D. Skot-Hansen, and G. Vestheim. 2008. “Nordic cultural policy.” International Journal of Cultural Policy 14 (1), 1–5. doi:10.1080/10286630701856435

McBride, K. (2019) Sailing towards digitalization when it doesn't make cents? Analysing the Faroe Islands' new digital governance trajectory. Island Studies Journal. Vol 14, Issue 2

Meld. St. 8. (2018). Kulturens kraft. Kulturpolitikk for framtida. Melding til Stortinget (2017–2018). Det Kongelege kulturdepartement. 

Meld. St. 18. (2021). Oppleve, skape, del. Kunst og kultur for, med og av barn og unge. Det Kongelege kulturdepartement.

Meld. St. 22. (2023). Kunstnarkår. Melding til Stortinget (2022–2023). Det Kongelege Kultur- og Likestillingsdepartementet.

Meld. St. 48. (2002) Kulturpolitikk fram mot 2014 

Ministry of Education. (2009). Strategy for Cultural Policy.

Ministry of Education, Science and Culture. (2013). National Cultural Policy Iceland.

Ministry of Education and Culture. (2017). Strategy for Cultural Policy 2025.

Morris, J. W. (2020). Music Platforms and the Optimization of Culture. Social media + society, 6(3), 205630512094069. https://doi.org/10.1177/2056305120940690

Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media & Society, 20(11), 4275-4292. https://doi.org/10.1177/1461444818769694

NOU 2013:4. Kulturutredningen 2014.

Nyhlén, S., & Gidlund, K. L. (2019). Lost in Translation – How Policy Enactment Get Stuck in the Digital Fix. Nordisk kulturpolitisk tidsskrift, 22(2), 295-311. https://doi.org/10.18261/issn.2000-8325/-2019-02-06

Pajkovic, N. (2022). Algorithms and taste-making: Exposing the Netflix Recommender System's operational logics. Convergence, 28(1), 214-235. https://doi.org/10.1177/13548565211014464

Pasquale, F. (2015). The Black Box Society : The Secret Algorithms That Control Money and Information. Harvard University Press. https://doi.org/10.4159/harvard.9780674736061

Pedersen, R..R. (2020), Datafication and the push for ubiquitous listening in music streaming. MedieKultur, Vol 36 Issue 69 

Poell, T., Nieborg, D. B., & Duffy, B. E. (2022). Platforms and cultural production. Polity Press.

Rasmussen, C. H. (2015). Brugerinddragelse og kulturpolitisk kvalitet. Nordisk kulturpolitisk tidskrift, 18(1), 81-100. https://doi.org/10.18261/ISSN2000-8325-2015-01-06

Regeringens Proposition 2009/10:3. Tid för kultur- 

Regeringskansliet (2017). För ett hållbary digitaliserat Sverige – en digitaliseringsstrategi. Dnr N2017/03643/D

Riksantikvarieämbetet (2024). Nationell strategi för digitalt kulturarv. 

Roberge, J., & Chantepie, P. (2017). The Promised Land of Comparative Digital Cultural Policy Studies. Journal of Arts Management, Law, and Society, 47(5), 295-299. https://doi.org/https://doi.org/10.1080/10632921.2017.1398584

Roberge, J., Nantel, L., & Rousseau, A. (2017). Who Needs a Plan Anyway? Digital Cultural Policymaking as the Art of Navigating through Uncertainties. The Journal of arts management, law, and society, 47(5), 300-312. https://doi.org/10.1080/10632921.2017.1366381

Ronström, O. (2008). Kulturarvspolitik : Visby : från sliten småstad till medeltidsikon. Carlsson.

Shechtman, A. (2023). Life in the Algorithm: Two new books on the culture of the web. The Yale review, 111(4), 187-202. https://doi.org/10.1353/tyr.2023.a914451

Siciliano, M. L. (2022). How gatekeeping became digital: infrastructural barriers to participation in conventional and platformized cultural production. International Journal of Cultural Policy, 28(7), 888-904. https://doi.org/10.1080/10286632.2022.2137154

Skøtt, B. (2021). Democracy, digitisation and public libraries. Digital Library Perspectives, 37(3), 305-323. https://doi.org/10.1108/DLP-11-2020-0118

Snickars, P. (2018). Digitalism : när allting är internet ([Ny utg.] ed.). Volante.

SOU 2021:77. Från kris till kraft. Återstart för kulturen.

Statsrådets Publikationer 2022:72. Finlands digitala kompass.

Statsrådets Publikationer 2024:56. Kulturpolitisk refogörelse.

Striphas, T. (2015). Algorithmic culture. European journal of cultural studies, 18(4-5), 395-412. https://doi.org/10.1177/1367549415577392

Sundet, V. S., & Colbjørnsen, T. (2021). Streaming across industries: Streaming logics and streaming lore across the music, film, television, and book industries. MedieKultur. https://doi.org/10.7146/mediekultur.v37i70.122425

Syvertsen, T., Lomborg, S., Kaun, A., Karlsen, F., Fast, K., & Albris, K. (2024). The Digital Backlash and the Paradoxes of Disconnection. Nordicom.

Thylstrup, N. B. (2019). The politics of mass digitization. MIT Press.

Toffler, A. (1980). The third wave. Morrow.

Undervisnings- och kulturministeriets publikationer 2024:12. Konst, kultur och ett mångfaldigt Finland.

Valtysson. (2020). Digital Cultural Politics [Elektronisk resurs]. Springer International Publishing.

Valtysson, B. (2010). Access culture: Web 2.0 and cultural participation. International Journal of Cultural Policy, 16(2), 200-214. https://doi.org/10.1080/10286630902902954

Valtysson, B. (2022). The platformisation of culture: challenges to cultural policy. International Journal of Cultural Policy, 28(7), 786-798. https://doi.org/10.1080/10286632.2022.2137150

Vinge, S., & Fjæstad, M. (2024). AI & makten över besluten : vad alla borde veta om algoritmer i offentlig sektor. Volante.

Virolainen, J. (2016). Participatory turn in cultural policy? - An analysis of the concept of cultural participation in Finnish cultural policy. Nordisk kulturpolitisk tidsskrift, 19(1), 59-77. https://doi.org/10.18261/ISSN2000-8325-2016-01-04

Waldfogel, J. (2018). Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture (1 ed.). Princeton University Press. https://doi.org/10.1515/9780691185439

Williams (2018). Stand out of our light: freedom and assistance in the attention economy. Cambridge University Press.

Wormbs, N. (2010). "Det digitala imperativet". In A. Jonas & S. Pelle (Eds.), Efter The Pirate Bay (pp. 140-150). Kungliga Biblioteket. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-24557

Wright, D. (2019). Towards a computational cultural policy studies: examining infrastructures of taste and participation. International Journal of Cultural Policy, 25(6), 806-820. https://doi.org/10.1080/10286632.2017.1420789

Wright, D. (2022). How culture became digital: editor's introduction. International journal of cultural policy : CP, 28(7), 777-785. https://doi.org/10.1080/10286632.2022.2137160

Zhang, Q., & Negus, K. (2021). Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization. Popular music and society, 44(5), 539-557. https://doi.org/10.1080/03007766.2021.1921909

Ålands landsskapsregering. (2024). Kulturpolitisk strategi för Åland 2024-2030.