In this section, we draw together insights from the conference that touch on the deep connection between culture, identity and place and how, as a consequence, Indigenous tourism is always to be understood and practiced as profoundly place and culture-based. This was emphasised by Chief Frank Antoine. In his talk, he voiced that “Indigenous tourism is not a sector, it is not a product. It’s a place.” As he explained and richly exemplified, Indigenous tourism is first and foremost a medium to tell and share stories of land, of relations to land and to the people and everything else inhabiting land. Tourism in this view is not an aim or a goal, economic or other, but purely one way, next to others, in which Indigenous culture, experiences and ways of life can unfold and continue.
The importance of place, space and the homelands are evident among Indigenous peoples throughout the world. In Sápmi, the connection to the land is central to most Sámi artists, and Sámi art produced today. In the album ORDA – This Is my Land, the Sámi artist Sofia Jannok joiks the Sámi homeland entanglement with a sense of pride and of freedom. The visual artist Outi Pieski often incorporates traditional Sámi crafts, such as duodji (handicrafts), and materials like reindeer antlers, wool, and textiles. Pieski’s work is deeply rooted in her heritage, in the decolonial practice of giving space to traditional objects and knowledge, as well as reflecting the landscapes and knowledge traditions of the Sámi people. In the title of the painting The Sacred Mountain of Rástegáisá as a Legal Person II (Figure 4), Pieski uses the 2008 Ecuadorian constitution, along with similar legal regulations from countries like New Zealand, which recognize certain rivers and mountains as holders of legal rights. For Pieski, this aligns with Indigenous perspective where land is seen as living rather than property.
In a similar way, the Kalaallit concept of Sila signifies both physical, abstract and cosmological forces around concepts typically understood as separate in Western ontology, such as weather, a force of life and nature, life, wisdom. In an industry known for separating and commodifying tourism as products labelled as either ‘cultural’, nature-based or sustainable, Indigenous tourism challenges, dismisses and transgresses existing categories and the separation of country, land, nature, culture and practices in labelling and performing tourism.